I mean DS9 and VOY were shot on film and edited/finished on Beta, just like TNG was. The same restoration processes could be used for them too if they were sure they’d make up for it in sales.
EDIT: Several BTS shots starting here showing the Panavision cameras used (though you can also just tell from the tonal range of the images in the show, there’s no video camera that was capturing that in the 90’s).
Leslie Knope would’ve knocked this out of the park!
I freaking love it even though it’s punishingly difficult at times. Everything will be going fine then a couple unlucky developments and you’re in the shit. Gives you an all new appreciation of what Janeway had to deal with. 😆
The bg music is a little lame but I just turned off the in-game music and put on the VOY soundtrack collections in the background and it feels great.
In Japan, still Ontario from here too.
I’m down, I still remember my number!
I dreaded the musical episode and I was wrong, it was fantastic. I dreaded the Lower Decks crossover episode and I was wrong, it was fantastic. I dreaded this episode and unfortunately, this time it was even worse than I feared.
I’ll admit, it was well made, the technical and performance sides of the puppets were outstanding and I genuinely laughed out loud on several occasions, but holy hell was it cringe from start to finish. Is this what anyone wants from ST??
I was so relieved that
it was at least ‘excused’ from canon by being a dream
but ffs, did we really need to waste what precious time is left with this series on… this??
The biggest weakness of Kurtzman’s era was that he granted way too much freedom to people’s ideas. Exploration and growth are of course necessary if Star Trek is going to survive (Even the 90’s shows got flak: DS9 stayed in one place and didn’t explore like the Enterprise, Voyager was going the “wrong direction” by coming home instead of going outward), but any artist will tell you that self-imposed restraint is what makes any work really spark. Some ideas should be rejected because they just don’t fit somehow and I’m shocked that no one realized it enough to put their foot down in this instance.
I realize that this was this season’s obligatory hijinks episode (the previous entries of which I generally liked and in the case of Spock Amok loved), but for me this one didn’t just cross the line, it jumped the shark.
Anyway, thanks for coming to my TED talk. 😅
I thought you were making a wooden Enterprise and this was the neck connecting to the secondary hull. My disappointment is immeasurable. 😆
He’s gonna get a gob full of ketracel white, I’ll tell you what!
Oh yeah, my comments weren’t directed at you specifically, but at the general notion.
Sorry but this is silly. It’s like someone saying, “Well the bad guy in XYZ movie was a nazi which is problematic, therefore the movie is.” Like, what?
The presence of problematic ideas is not in itself an issue. In almost any instance that Fio is objectified it’s immediately shown that it’s a flawed perspective of the characters doing it, which goes for Gina too (though she’s a badass and knows how to use it to work the people dishing it out to her). The movie’s voice doesnt endorse any of it, and if anything rejects those things outright any time they’re brought up.
Is media literacy even a thing anymore?
I keep thinking that it would be hilarious if as a bit foreshadowing in one of the new episodes of Strange New Worlds while Sam and the others are in the lounge, one of the other characters comes up with a personal pan pizza from the bar and tosses it at him and says “Catch!
Omg, Erika Moen from Penny Arcade’s Strip Search? Wow, I haven’t thought about that in years! She was great!
It really was obnoxiously enjoyable
Was it though? I could see it if you changed the audio track to a language you don’t understand, because it does have a lot going for it; the production design and costumes, set design and construction are all outstanding, sound design is still some of the best there’s ever been (especially when it came to modernizing legacy sfx), obviously the vfx and novel approaches to cinematography (yes, including the lens flares) are all great, etc etc.
But literally every last thing about the story is stream of consciousness, fever dream nonsense, which in any other franchise might be forgiven, but for Star Trek of all things to have such boneheaded threads of anti-science magical thinking, noxious xenophobia and childish cruelty is unforgivable. It’s a top to bottom garbage script, ironically produced with one of the most talented film crews in sci-fi movie history, which for my money anyway, makes it even more tragic and hard to enjoy.
That was great! I thought I knew where it was going but it totally surprised both me and my wife and we were like, “Damn, that was pretty good!”
Very hyped for shore leave episode now, the crew has earned it!
Yeah it’s not terrible, I just wish you could send from them as well.
I’m a simple man. I see Ranma, I upvote.
I have spent an embarrassing amount of time playing Syd Meier’s Pirates in my day, and I regret nothing!
The soundtrack was really outstanding wasn’t it? There were several points where I was like, oh damn, this moment has some weight to it, thanks to the music!